Julie Be and Anya Rose (Ants on a Log) are back with their third full-length family album. On this latest outing, Make it Myself!, the duo’s talent for combining social justice with silliness is beautifully on display in a collection of 14 songs that encourage children to think creatively about challenges they may face in life. Those challenges range from something simple like finding ways to stay entertained while waiting in line to more complex challenges like finding the courage to stand up against the injustices that a child may encounter in every day life. On the sillier side is a buzzy lullaby to a mosquito and a yummy twist on King Midas where the king turns things into cheese rather than into gold. Also included is the stellar “They’re My Friend,” an accessible introduction to nonbinary pronouns, and “What Book?” a song sung from a girl’s perspective as she implores adults to see more than just pretty appearances. Whether the lyrics are serious or silly, Ants on a Log creates a sound that engages and entertains. Check out the video for the title track, “Make it Myself” below.
Welcome to the second album of non-stop fun from Minnesota duo Todd Millenacker and Krissy Mondelli, or as they are more commonly known, Todd ‘n’ Tina. With Kaboom!, Todd ‘n’ Tina continue to demonstrate their skill in telling full stories in small packages. Although each of the ten tracks in this collection only lasts 1:30 to 2:00 minutes, each still manages to tell a complete tale. Whether it’s the pop-delight “Tennis Racket Guitar,” the sea shanty “Pirates & Parrots,” or the punk-fueled “Box Life,” each tune tells its own special story in its own unique way. Todd ‘n’ Tina do a fantastic job of pairing just the right musical genre to the subject matter before layering in clever lyrics that children will listen to again and again in order to catch all of the zany word play. Not only do Todd ‘n’ Tina create lively, engaging songs, they also create entertaining videos to go along with them. Kaboom! as well as a library of one-of-a-kind videos are available on their website. Catch Todd ‘n’ Tina’s latest video “Jellyfish Chicken” (because nobody wants those chicken bones!) below.
Released on February 5, “Happy Feet” is a wonderful take on the “freeze dance” that will get listeners tiptoeing, jumping, and doing the dance and jive around the room. Continuing the theme from the last post about artists creating cross-continent collaborations, after writing “Happy Feet,” Los Angeles-based singer/songwriter Ashley Mills Monaghan started brainstorming potential duet partners and immediately thought of New Zealand-based award-winning children’s performer Music with Michal ,and soon a wonderful new partnership was born. Listening to the seamless way that Ashley and Michal’s voices combine, it’s hard to imagine that the entire song was created by simply sending wav files back and forth through email. Ashley and Michal adeptly meet each other note for note, mirroring each other’s energy and joy. The result is an engaging, earworm of a song that is perfect to use during storytime, in preschool classes to burn off a little energy, or at home. Everyone’s feet will be happy after dancing to this tune!
Happy International Women and Girls in Science Day!! As a child, I loved science – especially the wonders of things that couldn’t be seen with the naked eye. My parents were very supportive of my interests and bought me a beginner’s microscope one year for Christmas and a telescope the next. While my drive to officially study science waned, my interest never did. In college (as a French and International Relations major), when forced with taking a science course with a lab, I chose astronomy. I loved those chilly fall nights up on the hill gazing out into the galaxy and to this day, I still own that child’s telescope, carefully packed in its original box from JCPenney’s. These memories from my younger years are just a few of the reasons why I love the new single “Thank You Science.”
Born of the creative minds of Marsha Goodman-Wood of Marsha and the Positrons and Claudia Robin Gunn, “Thank You Science” is a beautiful song full of gratitude and celebration. Chock-full of information, in the span of a few short minutes, Marsha and Claudia manage to include basic facts like the Earth is round, call out things such as the Scientific Method, and shout out to a whole host of famous female scientists. Even though the subject matter of “Thank You Science” has an educational element to it, the poppy melody is uplifting and fun. Marsha and Claudia are joined on vocals by Positron member Ayanna Gallant and when the three voices join together in harmony, the effect is a real delight.
In December of 2021 School Library Journal published a piece I had written about the evolution of children’s music as a result of the pandemic. In that article Claudia spoke about how the virtual realm of the pandemic had expanded the world for children’s musicians and was leading to collaborations with artists they may never have connected with otherwise. “Thank You Science” is an example of one of those collaborations. Marsha is based in the Washington, D.C. area while Claudia lives a bit of a ways away in New Zealand. Through the wonders of Zoom, they were able to combine their interests in the scientific world and love of music to work together and write “Thank You Science.”
“Thank You Science” is available today on your favorite streaming services.
Congratulations to Alphabet Rockers on their first GRAMMY Award!! Learn more about the making of the album here.
Welcome to the fifth and final spotlight on this year’s GRAMMY nominees for Best Children’s Music Album. Today we’re shining a light on Justin Roberts. No stranger to children’s music, Space Cadet marks Justin’s 16th album for families and fifth GRAMMY nomination. As with his previous collections, Justin perfectly captures the voice of young children creating fully developed characters in each song that empower listeners to embrace their differences, feel their feelings, and love one another. Now that he’s a father to his own little one, there is an even deeper feeling of understanding and empathy to Justin’s music that makes this album stand out from his discography. Kids Rhythm and Rock caught up with Justin shortly after the GRAMMY nominations were announced.
This is your fifth GRAMMY nomination. Is there anything that makes this nomination special?
Absolutely! I’m so thrilled and moved to be nominated this year. Having made 16 albums over the past 25 years, there is no greater honor than knowing that my peers think highly of the creative work I’m doing. It’s always scary to put out a new album when you know it will be judged against your entire catalog and I try to make sure I’m pushing myself creatively with every new project. After making a very personal and quiet album a few years ago (wild life), it was amazing to return to the studio with the Not Ready for Naptime Players and make a big rock record and then get this kind of recognition.
Not only did you release a new album in 2022, your latest picture book, I’ll Be Your Polar Bear was also published. How is Justin the musician different from Justin the author?
Watch the GRAMMY’s Premiere Ceremony LIVE on Sunday, February 5 at 12:30 PM PT/3:30 PM ET on live.grammy.com or The Recording Academy YouTube channel to see who wins Best Children’s Music Album.
Today we’re shining the spotlight on Lucky Diaz and the Family Jam Band, or as they are otherwise known, husband and wife duo Lucky Diaz and Alisha Gaddis. Being part of the GRAMMY landscape isn’t new for this children’s music power couple. They were nominated last year for their album Crayon Kids and have won Latin GRAMMY awards for Buenos Diaz (2019) and ¡Fantastico! (2013). Their latest entry into the Best Children’s Music album category is the EP Los Fabulosos, a delightful high energy pop/rock/punk romp.
Thank you to Alisha for taking the time to answer a few questions for us!
Today I am very excited to shine the spotlight on Alphabet Rockers. Led by co-founders Kaitlin McGaw and Tommy Soulati Shepherd, the group has evolved from offering poppy, light hip hop songs about everyday concepts that are geared toward younger children, to creating music that is “healing, reflects who we are, and empowers us.” The collective already garnered GRAMMY nominations for its albums Rise, Shine, #Woke, and The Love, but there is something unique about their latest album, The Movement. This time around, Kali de Jesus, Maya Fleming, and Tommy Shepherd III who have been with the Rockers since they were small children, are now teenagers, and they actively participated in writing the content of the album. The resulting collection of songs speaks to a reimagined world of belonging and justice.
For the 2022 Children’s Music Round Up I created a category called “The Children Are Our Future.” It featured The Movement as well as Multiply from The Wise Channel. I chose this heading because as Whitney Houston once sang, “I believe the children are our future. Teach them well and let them lead the way.” With The Movement, that’s what Kali, Maya, and Tommy are doing – leading the way. The only time I’ve seen Alphabet Rockers perform live was at a pre-GRAMMYs showcase in 2018 (please excuse the blurry photo taken with an old phone). One of the things that stood out was that the adults in the group proudly shone the spotlight upon the young children in the collective – including Maya, Kali, and Tommy III – giving them the microphone to rap in their still high pitched voices and the space to dance with boundless energy and joy. Those kids who were only nine or ten at the time, have grown into amazing 14 and 15 year olds with voices that need to be heard.
Rather than Kaitlin and Tommy being part of the interview for this post, they instead worked with Kids Rhythm and Rock to get feedback from, as Kaitlin calls them, “the kids.”
How old were you when you started performing with Alphabet Rockers?
(Kali) I was around 6 when I started performing with the group
(Maya) 8 or 9
(Tommy III) 4 or 5
You were an active part of the creation of the content for The Movement. What was your favorite part of that process?
(Kali) My favorite part of the process in creating The Movement was getting together with everyone in the group, whether it be for a music video or in the studio. It’s always great to get together, brainstorm, and formulate our songs.
(Maya) That’s a good question. I think My favorite part was probably the feeling of being in the studio during the pandemic; being able to come to the studio and even though we were masked up, still being able to be together and be in that creative flow with each other and create music and spread love even though we were going through a really hard time.
(Tommy III) Oh, I don’t know if this counts, but the “Slide” video, that was actually really fun. Everything is fun to do but that one was hecka fun and that’s why it’s one of my favorites,
Were there any challenges?
(Maya) There were challenges, but probably the biggest one was being able to, as we get older, find the [right] stuff for us, as you know our bodies change and our voices change. I think just also being able to have a balance of things where we have things that we actually like and have things that, you know, we use for the album or music videos where we’re able to add our ideas while still meeting your vision (Kaitlin and Tommy). Like how we were able to do music videos and add our friends and add our school, being able to do things like that.
(Tommy III) The challenge was, to be honest, sometimes I didn’t feel like doing it, but we have to do it because it’s the work that has to be done. Just being so tired. Because of Covid it felt like we weren’t doing that much but it took a lot of emotional energy out of us and it drained us a lot so during that time, I didn’t feel like doing a lot of things, but we had to put in the work so we can push for freedom.
What does this GRAMMY nomination mean to you?
(Kali) This GRAMMY nomination means a lot to me. I believe that it provides us with the opportunity to present our work more widespread and gives us a voice that speaks louder than before.
(Maya) This GRAMMY nomination means a lot. The work we put in, and the time, and energy, and like Tommy was saying, emotional commitment. Knowing the struggles and challenges that we all had to go through during the time we were making this album and seeing our growth and being able to make it to now our fourth GRAMMY nomination,
(Tommy III) The GRAMMY nomination. I just really like it. To say that we have a GRAMMY nomination, that’s really dope. To say we have a GRAMMY nomination considering what type of music we’re making. The music that we make doesn’t always get GRAMMY nominations because it’s not mainstream. But, it’s like, the music we’re making is pushing for change, and the fact that music like that can be put onto a platform like that is good.
Thank you very much to Kali, Maya, and Tommy III for sharing your thoughts with us! These kids, they are our future and with them taking the lead, I think we’re going to be alright.
Welcome to the second installment of a series of posts putting the spotlight on the nominees for the 2023 GRAMMY award for Best Children’s Music Album. Today we are shining a light on Divinity Roxx and her first album for children, Ready, Set, Go! Divinity is an extraordinary bassist, composer, and performer. On Ready, Set, Go!, she created a collection of songs that empower children to embrace who they are and to joyfully live and love everyone, everyday. Divinity’s driving beats grab you from the first notes of the title track and keep you moving and singing along from beginning to end. Divinity took some time out from her tour to share more about herself and Ready, Set, Go! with Kids Rhythm and Rock.
You have an incredible career entertaining adult audiences. What led you to create music for children?
I’ve always wanted to create music and books for children. In fact, I wrote my first children’s song early in my career (2003 I believe). The song was called “I Can Be Anything” and featured my 5-year-old cousin TJ and 8-year-old Goddaughter Alaysia rapping alongside me. They are now well into their 30’s. The company I was working with, Mee Wee, was an offshoot of the hip-hop label Rawkus. They ended up closing their doors, unfortunately, but the album is still on streaming services. I turned my attention back to recording and performing alternative hip-hop, progressive r&b, and soul music, and then ended up touring with the great Victor Wooten and eventually the incomparable Beyoncé. I always thought I’d eventually write for children again. During the pandemic, a peculiar series of circumstances led me to writing music for Scholastic. That evolved into two full picture books featuring my songs Happy and Healthy and Me+You, (available on Amazon), and that turned into a GRAMMY-nominated album, Ready Set Go!
Of all the nominees, you are the newest to the genre. What does it mean to you to receive a GRAMMY nomination for your first children’s music album?
The community of children’s music artists is a very special one and the entire community has embraced me and supported my music and message from day one. To be nominated for a GRAMMY on the first release is an honor and to be nominated for this album, in particular, is very special for me because out of all the records I’ve ever made, I am the proudest of this one for so many reasons. This record allowed me to return to why I started making music in the first place, to inspire people. I recorded it mostly in my home studio, sharing files over the internet with some of my favorite musicians who happen to be my friends, and with my wife who was locked in the house with me during the pandemic. This record brought us so much joy to create. We sang and laughed and jammed in my little home studio and created this music that has been impactful for so many in unimaginable ways.
You are incredibly busy. What are some of the things you have coming up in 2023?
When you’re an independent artist and musician you have to stay busy so 2023 is a year filled with lots of projects near and dear to me. I’m working on a one-woman show called ‘Starchild-The Ballad of Debbie Walker’ which premiers at Cross Roads Theater in New Brunswick, NJ from May 27-June 4. I am planning to release a new EP for the play as well as a new children’s music album in the fall. I co-composed music with a good friend of mine, Eugene Russell IV, for a children’s play, The Boy Who Kissed The Sky written by Idris Goodwin which will premiere at The Alliance Theater in Atlanta (my hometown) from April 1-16.
If there is anything you would like to share?
I have some live performances coming up that I’d like to share. I’ll be playing at The Kimmel Cultural Campus in Philadelphia on Saturday, February 25, and The Weis Center for The Performing Arts at Bucknell University in Lewisburg, PA on March 11.
Please check out my websites, www.divinityroxx.com and www.diviroxxkids.com, and sign up for my email list to stay up-to-date on shows and performances that may be in your area. Also, give me a follow on IG @diviroxx/@diviroxxkids as well as YOUTUBE to watch the latest videos and bass lessons.
In case you missed it, check out the Spotlight for fellow GRAMMY nominees Wendy & DB.
Chicago-based duo Wendy & DB (Wendy Morgan and Darryl Boggs) introduced families to the Blues with their GRAMMY-nominated album, Into the Little Blue House. From the album’s opening notes filled with wailing harmonica and bluesy guitar, listeners know that they are in for something special. Working with a cadre of Chicago-blues musicians and frequently backed by a talented children’s choir, Wendy & DB created a one-of-a-kind musical tapestry that combined relatable subject matter and tidbits from the history of the blues with rich melodies and top-notch musical performances.
This mark’s Wendy & DB’s first GRAMMY nomination. Kids Rhythm and Rock recently caught up with Wendy to learn a little more about this talented pair.
This is your first GRAMMY nomination. What was it like hearing your names announced?
We had just finished a show. I picked up my phone figuring I would have texts from friends if we got a nomination, and the texts were coming in, one after another, congratulating us on our nomination. I was so happy it brought both tears and excitement. I told DB, and we literally started jumping up and down! We were together when we heard the news, so that made the moment even more special. I tried to do a live video, but my hand was shaking so much I couldn’t capture the moment. It was amazing!
While you have both performed for adult audiences, it’s clear that you have a true passion for entertaining young listeners. What is it that makes children’s music so special?
Children are the future. Children are the hope, and we have the amazing job of keeping them hopeful through our music. Also, adults need to reminded how to be silly again, and in live shows every child brings an adult.
What is next for Wendy & DB?
We are already working on another album with Dean Jones (Dog on Fleas). We want to use our nomination platform, or whatever platform we are given, to spread the love and diversity, and sound alarms on environmental concerns and human injustices around the world.
Is there anything else that you would like to share?
We are in a wonderful community of very special independent musicians. We will support other musicians in their efforts to do their meaningful and important work with young audiences. How amazing to have this opportunity to share the space with our talented fellow nominees: Justin Roberts, Alphabet Rockers, Divinity Roxx and Lucky Diaz and Alisha. We are so appreciative to the teachers, librarians, families, children and adults that make up our audience. Your support of our music and live shows means everything to us!