Album Cover Art & New Single – Finding Friends Far from Home: A Journey with Clara Net
I’ve always loved pictures that tell a story, and that is exactly what the cover art for Oran Etkin’s album Finding Friends Far from Home: A Journey with Clara Net does. Etkin is the founder of the Timbalooloo Method for learning music in which each instrument comes to life, adding character, humor and emotion to music. This album cover captures that methodology by depicting several instruments from around the world as characters who are sharing with one another and building a friendship.
This beautiful cover art was created by Mexican artist Lynda M. Tovar. In working on the project, Tovar says
“While listening to the album and doing the sketches and different explorations of the characters I got to know Clara, her brother, the Bass Clarinet, little Mbira and the rest of the characters. As they were presented to me through the music, the designs of the characters grew in me like they were present. I could listen to them while creating them and that helped me while creating their images and personalities.
While working on it, it also brought a certain feeling of nostalgia. I thought of my childhood and how when I was little I listened to an album with my parents, everyone humming, whistling or singing to it with a very different perspective, and me, as I imagine the children could also do with this album, looking at the cover of it and getting every detail of the characters and imagining all the scenarios the songs tell. It made me smile every time I thought of this and how the kids would be able to do that with this cover.”
Recorded on land originally inhabited by the Ohlone people and produced at Zoo Labs in Oakland, California, The Love is a massive musical collaboration incorporating more than 60 guest artists who perform alongside Alphabet Rockers founders Kaitlin McGaw and Tommy Soulati Shepherd. The themes of love and belonging continue from Rise Shine #Woke to The Love but this time rather than the focus being social justice, the group is turning their attention to gender justice with the goal of the album being to honor the diverse identities within our society. Once again featuring well-thought out, powerful lyrics, The Love is an album that everyone should listen to.
Josh Lovelace (of the adult rock group NEEDTOBREATHE) returns with a follow-up to his 2017 debut family album, Young Folk. On Growing Up singer-songwriter Lovelace captures universal life experiences that affect everyone no matter their age like friendship, family, the birth of a baby and saying goodbye to those we love. His solo voice is occasionally joined to great effect by children’s backing vocals on the twelve Americana-tinged rock songs in this collection. While there are plenty of hand-clapping and toe-tapping moments on this album, they are tempered by other tracks such as the gorgeous “You Are Loved,” “Let’s Go Drive” which captures the peaceful moments of unplanned family drives, and the beautiful blending of voices on the Frances England duet, “Butterfly” which encourages listeners to reach your light and follow your dreams.
I have to admit that I was surprised and pretty excited to see a family album by Backstreet Boy Howie Dorough come across my desk. After listening to their music for the past twenty years, I wasn’t quite sure what to expect from this album. I wondered what Howie D’s take on music for families was going to be and how he was going to handle his association with The Backstreet Boys. Would he try to distance himself from the group in order to establish himself as a solo performer of music for children and not mention the group, or would he slide a quiet note of thanks into the liner notes? Well, there is a thank you note, but Howie D did so much more. He completely embraced his history with the group and played up his role as the “lesser known” Backstreet Boy with the amusing opening track, “Which One Am I?” Mixed in with questions asking if he’s that guy from that group (*NSYNC, Menudo) are fun lyrics that pay tribute to each of his Backstreet brothers.
On their newest album, 123 Andrés takes the letters of the Spanish alphabet and elevates them from a single song that teaches the order the letters come in, to 38 songs that give each letter and sound combination their own musical identity. The songs are arranged in alphabetical order and composed using the rhythms and sounds that are found throughout Latin America. Many of the tracks feature animals such as “Cinco cerditos,” “El guepado,” and “Katy la koala” or body parts like “Cabeza, codo, corazon” and “Con mis ojos” while others directly speak to the letter such as “La H no suena” and “Aqui está la Q.” Also included are songs about double letter sounds, “La C y la H chocaron” and “Las llaves” as well as a pair of songs about combinations of consonants – “Amigable” and “Gracias a la letra R.”
I just listened to this album three times in a row while I tried to figure out how I wanted to describe it. Did I want to start by saying this album is light and airy? Or maybe filled with infectious melodies? How about a showcase for Alina’s lovely soprano? After several stops and starts, I think the best way to start is by saying, Love Is Te Quiero is all of these things, but most importantly, it is music to make you smile. From the opening notes of “Love Is” through the closing chords of “Los Pollitos,” listeners will feel their spirits lift while their and minds and bodies fill with joy. 
The album opens with the title track which in a very meta way is itself an earworm. The simple melody, combined with catchy lyrics – “It’s an earworm, it’s not a wiggly worm, it’s not a squirmy worm, it’s just another term for a song stuck in your head” – will quickly engage listeners and play on repeat in their heads. A combination of original tunes and cover songs fill out the album’s often rock/pop tinged Americana sound. Some of the songs are just fun little ditties like “Her Name Was Lady” which gives a list of the names given to a variety of different goats while others like “Fuzzy Brown Vine (aka Poison Ivy)” teach children valuable information. “ABC (The Writing Song)” provides a new tune to learn the ABCs by as well as encourages children to try their hand at all kinds of writing from short things like haikus to long novels. Many listeners will relate to the very true tale of “Carsick” while others will appreciate the message of “Don’t Let them Get Yer Goat.” A couple of special guests join in the fun as well. Molly Ledford appears on her original tune, “Sunsphere” while Billy Jonas joins McCollough on the polyrhythmic chant, “Green Means Go.”
*While taking a listen to the 13 songs in this collection, take a few moments to check out the album’s cover featuring artwork by Knoxville-based printmaker Riley Bronough. Riley first came to McCollough’s attention when his wife bought a couple of Riley’s prints at an art show. Liking the look of the linocuts, McCollough contacted Riley and the Earworm album cover was born. What at first appears to be simple line drawings featuring just three main characters quickly becomes a seek and find for some of the things mentioned on the album. For more information on Riley and her art, visit www.cleversomedayprints.com.
The upbeat, positive messages continue throughout the album in a collection of original and cover songs that encourage listeners to be kind to themselves and one another as well as to do good out in the world. In a departure from his kindie rock style, Rymer is joined by Sonia De Los Santos on a country-tinged bilingual version of the Woody Guthrie tune, “Don’t You Push Me Down,” while on his groovy take on “I’m Coming Out,” Rymer fills breaks in the song with children’s answers to the question, “What do you want the world to know?” Additional covers include Jimmy Cliff’s “You Can Get It If You Really Want,” and the Beatles “With a Little Help From My Friends.”
I don’t know about you, but I’ve reached my limit for the negativity and self-righteous snarkiness that I encounter online. So, this past weekend, I took a break from the internet. I decided no social media, no email, no surfing the web. I was going to dedicate myself to the beautiful weather and those people around me. And you know what? The weekend was lovely, peaceful and restorative. Just what I needed.